“This Godot represents a reunion of two of the most unforgettable actors working on the New York stage… I’m expecting incredible things from this duo.” –Zachary Stewart, TheaterMania Read more from TheaterMania here.
Michael Boyd, who led the Royal Shakespeare Company as artistic director from 2002 to 2012, a decade in which he stabilized the organization while undertaking ambitious projects including a heralded New York residency and the mounting of the un-Shakespearean hit…
“Prometheus Firebringer is a quietly stunning, brain-jangling piece of work. Dense and yet lucid, somehow both harrowing and playful, the play-lecture takes us along on a series of looping interrogations into how the omnipresence of AI is already rewiring our brains.”…
“’Prometheus Firebringer’ ask(s) audiences to consider what Dorsen — taking a line from the French philosopher Bernard Stiegler’s ‘The Age of Disruption: Technology and Madness in Computational Capitalism’ (2019) — calls ‘the fundamental ethical question, the question of knowing whether…
“The piece riffs on the lost final play of Aeschylus’s Prometheus trilogy as a way of thinking about the relationship between technology and power. On one side of the stage, everything is made by commercially available AI products: A set…
S.H.: “Oh man, now I’m thinking of yet another solo show, also in Brooklyn: Annie Dorsen’s Prometheus Firebringer, which is coming to Theatre for a New Audience. It’s billed as a “hybrid performance-lecture” in which Dorsen uses AI to try to…
“A critic once described Samuel Beckett’s absurdist classic as “a play in which nothing happens, twice.” I can’t think of two actors I’d rather see do nothing than Michael Shannon and Paul Sparks. For decades, these earthy, intense men—menacing, funny,…