News Posts
Prosperous Fools Reviews
★★★★ —Adam Feldman, Time Out Read more from Time Out here. “A wild ride…Mac’s satire turns a shrewd eye on
AP: “Taylor Mac’s ‘Prosperous Fools’ skewers wealthy philanthropists in a biting satire”
“I’m trying to get people to think differently about the world. Part of what the play is doing is saying,
American Theatre: Taylor Mac Interview
“Taylor Mac, whose new play Prosperous Fools is loosely inspired by Le Bourgeois gentilhomme, and Jeffrey Hatcher, who has a
Arin Arbus is TFANA’s Next Artistic Director
Theatre for a New Audience announces that celebrated, OBIE Award-winning director Arin Arbus will be its next Artistic Director when
Drama Desk Nomination for Jay O. Sanders in TFANA’s Henry IV
Jay O. Sanders has received a Drama Desk Awards nomination for Outstanding Lead Performance in a Play for his portrayal
Playbill: Prosperous Fools Cast Announcement
Theatre for a New Audience presents the world premiere of Taylor Mac’s Prosperous Fools at Polonsky Shakespeare Center from June 1-29. Directed
New York Times: “13 Off Broadway Shows to See in June”
“Arching an eyebrow at philanthropy and its insincerities, set at a gala for a nonprofit dance company, with Mac leading
The Merchant of Venice in Edinburgh: Read the Rave Reviews
Theatre for a New Audience’s production of The Merchant of Venice at Edinburgh’s Royal Lyceum has received rave reviews. Read
NY Times: At 90, Wole Soyinka Revisits His Younger, More Optimistic Self
“Re-encountering the work, he is painfully struck by his young self’s optimistic depiction of ‘a kind of hybrid community made
The Swamp Dwellers Reviews
“Directed with unhurried assurance by Awoye Timpo…Astonishing set design (by Jason Ardizzone-West)…The play becomes a delta…where tributary identities—Muslim, Yoruba, traditional,
TheaterMania: The Swamp Dwellers Cast Announcement
TFANA will present the off-Broadway premiere of Nobel Prize winner Wole Soyinka’s The Swamp Dwellers, directed by OBIE winner Awoye Timpo (Alice
The New Yorker: Henry IV Review
“This production meets the eye humbly, no more than a small stage with two chairs. Then, largely through the force