News Posts
“Elektra” Cast Announcement in Playbill and TheaterMania
“Tina Benko will star in Daniel Fish’s Theatre for a New Audience production of Elektra by Sophokles, adapted by Anne
“Elektra” in NY Times, Vulture, and Cultured
“The poet Anne Carson is known for her piercing and distinctive translations of the Greeks, and director Daniel Fish (2018’s
“America, Who Hurt You?” Reviews
“Jones is an extraordinary vessel, holding these many people inside her and letting them speak through her, one by one.
Sarah Jones in Vogue, Playbill, and The Guardian
“For much of my life, I was in one of those relationships that feels too good to be true, and
Sarah Jones in The New York Times
“Since the writer-performer Sarah Jones is bringing her new piece, ‘America, Who Hurt You?,’ to the Polonsky Shakespeare Center next
“America, Who Hurt You?” and “Elektra” in New Yorker and New York Times Fall Previews
“As the breeze cools down, the culture season heats up, with many new shows confronting our current moment…Sarah Jones débuts
26/27 Season Announcement
Theatre for a New Audience has announced its 2026-27 season, the first season fully programmed by new artistic director Arin Arbus.
America, Who Hurt You?: BroadwayWorld Feature
In a nation divided by competing narratives, who gets to tell the story of America? National Black Theatre and Theatre for a
Teatro La Plaza’s “Hamlet” Reviews
“A defiant affirmation of life lies at the heart of this bold production…This polished, assured and charming company reminded me
Chela De Ferrari Interviews: AP, Town & Country, El Diario, Noticia, and Culturebot
“There is something very powerful in the encounter, even in the friction, between Shakespeare and the actors’ lives. It was
“Hamlet” in Time Out and in TDF Stages’ 18 Shows to See Off Broadway
“Theatre for a New Audience’s new Artistic Director Arin Arbus imports Teatro La Plaza’s boundary-smashing Hamlet to Brooklyn after celebrated runs around
“The Tragedy of Coriolanus” Reviews
★★★★ “A blend of the contemporary and the classical…Ash K. Tata keeps the action clear and active… The performances are