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“Nicole Cooper…is terrific: her Lady Macbeth is funny, sensual, proud and smart and Emmanuella Cole is great as a shrewd

“Note the subtitle of this London import, an adaptation by Zinnie Harris. Shakespeare’s familiar lines for the ‘Scottish Play’ alternate

“As a writer, Chowdhury interweaves humor, allusion, gravity, and extended metaphor as if each quality were a musical line, making

“Exquisitely crafted…meticulously rendered middle-class Bengali home…dense and detailed…rich and strange. The play’s great poignancy lies in its restraint. The whole

“Public Obscenities is the most Bengali play…heartwarming, unusual, and astounding.” – Snigdha Sur  Read more from The Juggernaut here.

“New York Times Critic’s Pick! A confident playwright…successfully writing a bilingual play…who with Public Obscenities, may have found himself on

“We’re lucky that Shayok Misha Chowdhury’s intricate bilingual drama is returning in 2024 for an encore run, at Theatre for

“After an acclaimed run at Soho Rep last spring, Shayok Misha Chowdhury’s play is back for a longer stint in

10 Arts and Culture Favorites from 2023  “It’s rare that I can use a year-end list to endorse a theater

Waiting for Godot “In Arin Arbus’s vigorous, earthy production…Paul Sparks and Michael Shannon brought the play’s humor and its humanity

“Samuel Beckett’s “Waiting for Godot,” directed by Arin Arbus—who’s always up to something you want to see—is often set aside

“MICHAEL SHANNON AND PAUL SPARKS…THE POWERHOUSE DUO… ARE WELL WORTH WAITING FOR GODOT…Shannon and Sparks blend their idiosyncratic styles so