“Ethan Lipton’s compact, tuneful jewel of a play seems charmingly analog: No algorithms are whirring in the background, and the show is essentially a live concept album interspersed with patter, as Lipton and his three bandmates—yes, they’re really a band—jam and swing to a whole variety of genre-hopping original songs.” – Sara Holdren
The New Yorker: Henry IV Review
February 21, 2025
“This production meets the eye humbly, no more than a small stage with two chairs. Then, largely through the force