“Ethan Lipton’s compact, tuneful jewel of a play seems charmingly analog: No algorithms are whirring in the background, and the show is essentially a live concept album interspersed with patter, as Lipton and his three bandmates—yes, they’re really a band—jam and swing to a whole variety of genre-hopping original songs.” – Sara Holdren
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
October 31, 2025
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant