Outside view of the Theatre for a New Audience

Leadership

Leadership

Artistic Director

Arin Arbus

Arin Arbus is a director and the Artistic Director of Theatre for a New Audience, where her productions have included Shakespeare’s The Merchant of Venice starring John Douglas Thompson (also at Shakespeare Theatre Company in DC and The Royal Lyceum Theatre, Edinburgh), Beckett’s Waiting for Godot with Michael Shannon and Paul Sparks, the New York premiere of Denis Johnson’s Des Moines, as well as The Winter’s Tale, Thornton Wilder’s The Skin of Our Teeth (Obie Award), Ibsen’s A Doll’s House adapted by Thornton Wilder and Strindberg’s The Father adapted by David Greig in rotating repertory, King Lear, Much Ado About Nothing, Taming of the Shrew, Measure for Measure, and Othello.
 
Beyond TFANA, her work has included the world premiere of Abe Koogler’s Deep Blue Sound for Clubbed Thumb (remounted at The Public Theater), The Lehman Trilogy (Shakespeare Theatre Company of DC and The Guthrie), the Tony-nominated Broadway revival of Terrence McNally’s Frankie and Johnny in the Clair de Lune starring Audra McDonald and Michael Shannon, Britten’s The Rape of Lucretia at Houston Grand Opera, and Verdi’s La Traviata at Canadian Opera Company (eight Dora nominations), Lyric Opera of Chicago, and Houston Grand Opera.
 
She has been a Drama League Directing Fellow, a Princess Grace Award Recipient, TFANA’s Samuel H. Scripps Awardee, and member of Soho Rep’s Writer/Director Lab.

Executive Director

Dorothy Ryan

Dorothy Ryan joined Theatre for a New Audience in 2003. As Executive Director, she is the management leader of the organization, and oversees the areas of Finance, Development, Education, Board relations, and the Capital Campaign. She also managed the Theatre’s capital project to build its first home, Polonsky Shakespeare Center in Fort Greene Brooklyn, which opened in 2013.

From 2000-2008, Dorothy served as a Visiting Assistant Professor for the Pratt Institute’s Arts and Cultural Management Program, teaching courses in fundraising.

Before joining Theatre for a New Audience, Dorothy spent the previous ten years devoted to fundraising for the 92nd Street Y and the Brooklyn Museum. After graduating from Brown University with a music degree, she began her career in the arts with Hillyer International, a classical music management that also toured international attractions. She has also served as Company Manager for Chautauqua Opera, Managing Director for the Opera Ensemble of New York, and General Manager of Eugene Opera.

Founding Artistic Director

Jeffrey Horowitz

Jeffrey Horowitz began his career in theatre as an actor and appeared on Broadway, Off-Broadway and in regional theatre. In 1979, he founded Theatre for a New Audience. Horowitz has served on the Panel of the New York State Council on the Arts, on the Board of Directors of Theatre Communications Group, the Advisory Board of the Shakespeare Society and Artistic Directorate of London’s Globe Theatre.

Awards: 2003 John Houseman Award – The Acting Company; 2004 Gaudium Award – Breukelein Institute; 2014 Alfred Drake Award – Brooklyn College; 2019 Obie Lifetime Achievement Award; 2020 Samuel H. Scripps Award.

Board of Directors

Board Chair

Robert E. Buckholz

Vice Chair

Kathleen C. Walsh

Executive Committee

Alan Beller

Robert E. Buckholz

Constance Christensen

Seymour H. Lesser

Larry M. Loeb

Philip R. Rotner

Kathleen C. Walsh

Josh Weisberg

Members

Arin Arbus

Ben Campbell

Jonathan R. Donnellan

Matthew E. Fishbein

Catherine Maciariello

Alan Polonsky

Dorothy Ryan

Eric B. Sloan

Doug Steiner

Artistic Council

John Berendt

Bianca Vivion Brooks

Robert Caro

Sharon Dunn

Riccardo Hernandez

Kathryn Hunter

Tom Kirdahy

John Lahr

Harry J. Lennix

Marie Maignan

Lindsay H. Mantell

Audrey Heffernan Meyer

J.T. Rogers

John Douglas Thompson

John Turturro

Emeritus

Francine Ballan

Sally Brody

William H. Burgess III

Monica Gerard-Sharp

Caroline Niemczyk

Janet C. Olshansky

Theodore C. Rogers

Mark Rylance

Daryl D. Smith

Susan Stockel

Jane Wells

Access & Seating Info

Physical Access: There is level access into the lobby. An elevator provides access to all 3 levels of the theater.

Access Seating: Wheelchair labelled seats can be used for any access need, and the chair can be in place or removed. To arrange chair removal in advance or any other questions, please contact box office.

For this production, seating with no stairs includes: Orchestra center Row E, Orchestra sides Row A (200s+300s), and all Mezzanine and Balcony seats.

Mezzanine Row B seats are taller chairs (approximately bar stool height).

Hearing enhancement: Assistive Listening Devices can be collected from the lobby usher in front of the box office before the show.

Open Caption performance: Sunday, September 27th at 2pm. Choose any seating with ‘OC’ in the seating chart to best see the screen.

Box Office contact: email us at tickets@tfana.org or call 646-553-3880.