“We Are Your Robots at Theatre for a New Audience (in a co-production with Rattlestick Theater) and Maybe Happy Ending on Broadway—forward a history of robot representation on stage and, in a time of anxiety around artificial intelligence, grant more warmth than worry.”
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
October 31, 2025
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant