News Posts
We Are Your Robots: Playbill Feature
We Are Your Robots reunites Lipton and Silverman, who previously worked together on Tumacho, The Outer Space, and No Place
2024-2025 Season Announcement
Theatre for a New Audience has revealed its 2024-25 season, with American and world premieres of plays by Ethan Lipton,
Founding Artistic Director Jeffrey Horowitz to Retire
Jeffrey Horowitz, Founder of Theatre for a New Audience, having led and grown the not-for-profit organization since 1979, will retire
PUBLIC OBSCENITIES by Shayok Misha Chowdhury: Pulitzer Prize Finalist
Theatre for a New Audience congratulates Misha on being named a 2024 Pulitzer Prize Finalist in Drama for his play Public
Macbeth (an undoing) Receives 4 Drama Desk Nominations
Macbeth (an undoing) has received four Drama Desk nominations: Outstanding Revival of a Play (Zinnie Harris), Outstanding Lead Performance in a
Macbeth (an undoing): The New Yorker Review
“Zinnie Harris’s highly cerebral and sometimes revelatory adaptation of Shakespeare’s tragedy, follows Lady Macbeth (played here by the fascinating Nicole
Macbeth (an undoing): Amsterdam News Review
“A brilliant play…that leaves you stunned and amazed…The cast is superb! Nicole Cooper is an explosive, mesmerizing Lady Macbeth…She is
Macbeth (an undoing): ★★★★ The Guardian Review 2023 World Premiere
“Zinnie Harris’ audacious conjuring of Shakespeare’s Macbeth…Sometimes witty, always intelligent.” Read more from The Guardian here.
Macbeth (an undoing): ★★★★ The Telegraph Review 2023 World Premiere
“A universally fabulous cast.” Read more from The Telegraph here.
Macbeth (an undoing): ★★★★★ The Herald Review 2023 World Premiere
“A thrilling reimagining that lays bare the real power behind the blood-spattered throne.” Read more from The Herald here.
Macbeth (an undoing): Financial Times Review 2024 London Premiere
“Nicole Cooper…is terrific: her Lady Macbeth is funny, sensual, proud and smart and Emmanuella Cole is great as a shrewd
Macbeth (an undoing): “The Best of What’s Coming This Spring” –Observer
“Note the subtitle of this London import, an adaptation by Zinnie Harris. Shakespeare’s familiar lines for the ‘Scottish Play’ alternate
