News Posts
Observer: Fall Theater Preview: A Dozen Shows Gets You Back to (Drama) School
“A critic once described Samuel Beckett’s absurdist classic as “a play in which nothing happens, twice.” I can’t think of
Fuente Ovejuna Review: The New York Review of Books
“A rare new production of Lope de Vega’s Fuente Ovejuna brings home the play’s sense of threatened violence and constant
BroadwayWorld: Orpheus Descending Cast Announcement
“Maggie Siff, Pico Alexander & More to Star in ORPHEUS DESCENDING at TFANA. Orpheus Descending is TFANA’s first production of
Orpheus Descending – “Productions We Can’t Wait to See This Summer.” – New York Magazine
“A lesser-known Tennessee Williams play gets an appealing star in Maggie Siff (of Billions) — to be directed by Mac Beth’s Erica
Orpheus Descending – Summer Theatre Preview in The New Yorker
“And what was the last time that Tennessee Williams’s “Orpheus Descending” (Polonsky Shakespeare Center, July 9) was given a serious
360° Viewfinder: Fuente Ovejuna
Read the Fuente Ovejuna 360° Viewfinder, the Theatre’s free online guide to the production. This issue centers discussion around Lope de Vega’s
Wedding Band Receives 3 Drama League, 4 Outer Critics Circle, and 4 Drama Desk Nominations
This week, Theatre for a New Audience’s production of Alice Childress’s Wedding Band received three Drama League Award nominations, four
Wedding Band Wins 3 Obie Awards
The winners of the 66th Obie Awards, covering the 2020-2022 seasons, were announced on February 24, 2023. Three artists were
360° Viewfinder: Exploring Shakespeare’s Histories
Read the Richard II & Henry IV 360° Viewfinder, the Theatre’s free online guide to the production. This issue includes an investigation into power
Playbill: Workshops Cast Announcement
“Broadway Alums to star in Repertory Workshop of Richard II and Henry IV at TFANA. Theatre for a New Audience
Esquire: The Side of Denis Johnson You Never Knew
“One of the play’s greatest distinctions, at least for me, is that it feels less like a narrative and more
Des Moines: The New Yorker Review
“Denis Johnson’s Des Moines outlines a mismatch between surfaces and soul…..Here, as elsewhere in Johnson’s œuvre—his short-story collection “Jesus’ Son” being