“It’s been 70 years since the play premiered, and this production is evidence of its ongoing power. Purposefully ambiguous, this play seems timeless. Godot, like Gogo and Didi, isn’t going anywhere.”
Read more from Time Out Magazine here.
The New Yorker: Henry IV Review
February 21, 2025
“This production meets the eye humbly, no more than a small stage with two chairs. Then, largely through the force