TFANA Admin

“Zinnie Harris’ audacious conjuring of Shakespeare’s Macbeth…Sometimes witty, always intelligent.” Read more from The Guardian here.

“A universally fabulous cast.” Read more from The Telegraph here.

“A thrilling reimagining that lays bare the real power behind the blood-spattered throne.” Read more from The Herald here.

“Nicole Cooper…is terrific: her Lady Macbeth is funny, sensual, proud and smart and Emmanuella Cole is great as a shrewd Lady Macduff. Their performances make the case that the Macbeth women have been seriously short-changed.” Read more from The Financial Times…

“Note the subtitle of this London import, an adaptation by Zinnie Harris. Shakespeare’s familiar lines for the ‘Scottish Play’ alternate with Harris’s contemporary dialogue, giving a feminist spin to the witchy tragedy of ambition, loyalty, and conscience from the POV…

“As a writer, Chowdhury interweaves humor, allusion, gravity, and extended metaphor as if each quality were a musical line, making an integrated symphonic whole…As a director, his greatest talent is how he uses his spectacular cast. Each virtuoso is gorgeously…

“Exquisitely crafted…meticulously rendered middle-class Bengali home…dense and detailed…rich and strange. The play’s great poignancy lies in its restraint. The whole ensemble is marvelous.” – Sara Holdren Read more from New York Magazine here.

“Public Obscenities is the most Bengali play…heartwarming, unusual, and astounding.” – Snigdha Sur  Read more from The Juggernaut here.

“New York Times Critic’s Pick! A confident playwright…successfully writing a bilingual play…who with Public Obscenities, may have found himself on the brink of greatness…uniformly excellent cast…leaves the audience longing for even more.” – Juan A. Ramírez Read more from The New…

“We’re lucky that Shayok Misha Chowdhury’s intricate bilingual drama is returning in 2024 for an encore run, at Theatre for a New Audience.” Read more from The New Yorker here.