The New Yorker: Thorton Wilder’s Optimistic Catastrophe: “THE SKIN OF OUR TEETH”

“A defiant affirmation of life lies at the heart of this bold production…This polished, assured and charming company reminded me

“There is something very powerful in the encounter, even in the friction, between Shakespeare and the actors’ lives. It was

“Theatre for a New Audience’s new Artistic Director Arin Arbus imports Teatro La Plaza’s boundary-smashing Hamlet to Brooklyn after celebrated runs around