The New Yorker: Thorton Wilder’s Optimistic Catastrophe: “THE SKIN OF OUR TEETH”

“An arrogant Roman military hero, beloved by the aristocracy and despised by regular people, is banished from the city and

“Ash K. Tata’s production brings Shakespeare’s tragedy of political unrest into a moment ‘just after now.’” “The cast will be

“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant