The New Yorker: Thorton Wilder’s Optimistic Catastrophe: “THE SKIN OF OUR TEETH”

“This production meets the eye humbly, no more than a small stage with two chairs. Then, largely through the force

“CONSISTENTLY ENGAGING…Director Eric Tucker dazzles us with the ways he tells this epic story…The spectacle of seeing a job supremely

Theatre for a New Audience’s production of The Merchant of Venice at Edinburgh’s Royal Lyceum has received rave reviews. Read