The New Yorker: Thorton Wilder’s Optimistic Catastrophe: “THE SKIN OF OUR TEETH”

“Ash K. Tata’s production brings Shakespeare’s tragedy of political unrest into a moment ‘just after now.’” “The cast will be

“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant

“The Merchant of Venice, Lyceum Theatre, Edinburgh, January. Set in the near future, Arin Arbus’s production of The Merchant of Venice