They are at their exquisite peak, this boy and girl stepping through the shadows. They are far enough from childhood to be fully formed but not yet coarsened by adulthood, as delicate of limb and feature as mantelpiece figurines. Only the slight differences in the shades of their perfect skins suggest they are not a matched set. – Ben Brantley
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
October 31, 2025
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant