“Rare and intimidating, unresolved and raw…It left me with the blood pounding in my ears.”
– Sara Holdren, New York Magazine Critic’s Pick
Read the full review from New York Magazine here.
“Rare and intimidating, unresolved and raw…It left me with the blood pounding in my ears.”
– Sara Holdren, New York Magazine Critic’s Pick
Read the full review from New York Magazine here.
“Ash K. Tata’s production brings Shakespeare’s tragedy of political unrest into a moment ‘just after now.’” “The cast will be
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
“The Merchant of Venice, Lyceum Theatre, Edinburgh, January. Set in the near future, Arin Arbus’s production of The Merchant of Venice
