“The playwright Alice Childress, who lived from 1916 to 1994, never saw her work produced on Broadway. Unlike some of her Black contemporaries—Lorraine Hansberry, August Wilson—she wasn’t canonized or widely taught. In her later years, “she felt like she had been forgotten,” the dramaturge Arminda Thomas said the other day. Lately, though, Childress has been remembered. This past winter, her 1955 play, “Trouble in Mind,” about an actress navigating backstage racism, made its long-awaited Broadway début. And, this month, Theatre for a New Audience is staging her drama “Wedding Band” at the Polonsky Shakespeare Center, in Brooklyn, its first New York production in half a century.”
Read more from the New Yorker here.