“But no matter what form freedom of thought takes, we wonder what it can mean in a world where we’re emotionally condemned not to face the truth of who we are.” CLICK HERE to read about Grasses of a Thousand Colors in The New Yorker.
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
