The Wall Street Journal talks to Michael Pennington, currently playing the title role in King Lear at Theatre for a New Audience, on the trajectory of his career and how he’s approaching this role. Click here to read the full interview.
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
