Movement coach Jessica Wolf explains the behind-the-scenes techniques used by Dianne Wiest as she becomes Winnie in HAPPY DAYS. Read the full piece in American Theatre Magazine here.
The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
