October 17, 2018
The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style” Read
The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style” Read
By Sara Holdren The Emperor, a two-performer meditation on the man-made mythos of power, is
By Hayley Levitt The layered legacy of Ryszard Kapuściński’s journalism-adjacent novel The Emperor imposes a
(This review refers to an earlier production of The Emperor at the Young Vic, London.)
By Ruthie Fierberg Acclaimed actor Kathryn Hunter has a longstanding history with Theatre for a
By Julianne McShane She’s playing all the king’s men. An award-winning actress will portray nearly
By Gerard Raymond The audience never sees His Imperial Majesty Haile Selassie in The Emperor,
Theatre for a New Audience, much to my pleasure, dives into their new season with a
By Charles Wright In October 1973, ITV, the English television network, dispatched Jonathan Dimbleby and
By Ben Odom There is no shortage of art that comments on the current administration.
A new play by Calvin Trillin starring Jessica Hecht, as well as imports from the
The New York Times: The Ones We Left Behind By Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli