October 18, 2018
By Neil Genzlinger “We couldn’t have built Polonsky Shakespeare Center without his advocacy,” Mr. Horowitz
By Neil Genzlinger “We couldn’t have built Polonsky Shakespeare Center without his advocacy,” Mr. Horowitz
Join us for free post-show conversations with artists and scholars after the following performances of
The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style” Read
By Sara Holdren The Emperor, a two-performer meditation on the man-made mythos of power, is
By Hayley Levitt The layered legacy of Ryszard Kapuściński’s journalism-adjacent novel The Emperor imposes a
(This review refers to an earlier production of The Emperor at the Young Vic, London.)
By Ruthie Fierberg Acclaimed actor Kathryn Hunter has a longstanding history with Theatre for a
By Julianne McShane She’s playing all the king’s men. An award-winning actress will portray nearly
By Gerard Raymond The audience never sees His Imperial Majesty Haile Selassie in The Emperor,
Theatre for a New Audience, much to my pleasure, dives into their new season with a
By Charles Wright In October 1973, ITV, the English television network, dispatched Jonathan Dimbleby and
By Ben Odom There is no shortage of art that comments on the current administration.