Aphra Behn wrote Oroonoko: or, The Royal Slave in 1688, the year before her death, during a particularly dark moment in English history. Behn was a strict royalist√¢‚Ǩ‚Äùa faithful supporter of the monarchy in England. Some scholars believe that the character of Oroonoko was a representation of King James II, who was deposed the very year Oroonoko was published. Despite pleas from Parliament for him to become a Protestant, James II believed in absolute monarchy and would not convert from Catholicism. In a similar light, Behn portrays Oroonoko as absolutely noble, regardless of his race or beliefs.The New Yorker: “The Tragedy of Coriolanus” in Winter Culture Preview
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
