The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
American Theatre: Taylor Mac Interview
May 30, 2025
“Taylor Mac, whose new play Prosperous Fools is loosely inspired by Le Bourgeois gentilhomme, and Jeffrey Hatcher, who has a