The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
NY Times: “The Tragedy of Coriolanus” in February Off-Broadway Preview
February 5, 2026
“An arrogant Roman military hero, beloved by the aristocracy and despised by regular people, is banished from the city and