The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
Theatre for a New Audience has announced casting for Eric Tucker’s revival of Shakespeare’s Henry IV, using the three-act adaptation by
Henry IV will open at Theatre for a New Audience this month, with performances running January 26 – March 2
“Ethan Lipton’s outstanding new concert play…sly, smart as heck, and somehow both extremely tender and laugh-out-loud funny…charming tunes and clever