The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
Theatre for a New Audience congratulates Misha on being named a 2024 Pulitzer Prize Finalist in Drama for his play Public
Macbeth (an undoing) has received four Drama Desk nominations: Outstanding Revival of a Play (Zinnie Harris), Outstanding Lead Performance in a
“Zinnie Harris’s highly cerebral and sometimes revelatory adaptation of Shakespeare’s tragedy, follows Lady Macbeth (played here by the fascinating Nicole