The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
★★★★ “A blend of the contemporary and the classical…Ash K. Tata keeps the action clear and active… The performances are
“An arrogant Roman military hero, beloved by the aristocracy and despised by regular people, is banished from the city and
“Ash K. Tata’s production brings Shakespeare’s tragedy of political unrest into a moment ‘just after now.’” “The cast will be
