The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
“Seeing these actors take on Hamlet with humor, intelligence and truth, something shifts. A subtle but powerful change occurs: the realization that
“Theatre for a New Audience’s new Artistic Director Arin Arbus imports Teatro La Plaza’s boundary-smashing Hamlet to Brooklyn after celebrated runs around
★★★★ “A blend of the contemporary and the classical…Ash K. Tata keeps the action clear and active… The performances are
