The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
The New Yorker staff writer Elif Batuman examines how we interact with the historical texts with uneasy themes, focusing on the dialogue between Branden Jacobs-Jenkins’s AN OCTOROON and Dion Boucicault’s THE OCTOROON.
Read the full article here.
“Ethan Lipton’s outstanding new concert play…sly, smart as heck, and somehow both extremely tender and laugh-out-loud funny…charming tunes and clever
“Ethan Lipton’s compact, tuneful jewel of a play seems charmingly analog: No algorithms are whirring in the background, and the
“The hepcat stylings of Ethan Lipton and his jazz combo give Lipton’s meticulously funny, often wise We Are Your Robots (a co-production