The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style”
Read more from the NewStatesman on The Prisoner.
Read more from the NewStatesman on The Prisoner.
“Ethan Lipton’s outstanding new concert play…sly, smart as heck, and somehow both extremely tender and laugh-out-loud funny…charming tunes and clever
“Ethan Lipton’s compact, tuneful jewel of a play seems charmingly analog: No algorithms are whirring in the background, and the
“The hepcat stylings of Ethan Lipton and his jazz combo give Lipton’s meticulously funny, often wise We Are Your Robots (a co-production