The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style”
Read more from the NewStatesman on The Prisoner.
Read more from the NewStatesman on The Prisoner.
“I’m trying to get people to think differently about the world. Part of what the play is doing is saying,
“A wild ride…Mac’s satire turns a shrewd eye on the corrupting potential of money in the arts as anywhere else…Direction
“Arching an eyebrow at philanthropy and its insincerities, set at a gala for a nonprofit dance company, with Mac leading