The National Theatre’s The Prisoner is a moving example of Peter Brook’s “late style”
Read more from the NewStatesman on The Prisoner.
Read more from the NewStatesman on The Prisoner.
“An arrogant Roman military hero, beloved by the aristocracy and despised by regular people, is banished from the city and
“Ash K. Tata’s production brings Shakespeare’s tragedy of political unrest into a moment ‘just after now.’” “The cast will be
“In 2026, our theatre-makers look at politics, if obliquely: Shakespeare’s coup-adjacent drama ‘The Tragedy of Coriolanus’ may feel disturbingly relevant
